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<ags:resources xmlns:ags="http://purl.org/agmes/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:agls="http://www.naa.gov.au/recordkeeping/gov_online/agls/1.2" xmlns:dcterms="http://purl.org/dc/terms/">
<ags:resource>
					<dc:title><![CDATA[The Significance of Motifs in the Commitment Poems of Abdolwahhab Bayati]]></dc:title>
					<dc:creator>
					<ags:creatorPersonal><![CDATA[Amin Moghaddasi, Abolhasan]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[Molla Ibrahimi, Izzat]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[Salemi, Mohammad]]></ags:creatorPersonal>

			</dc:creator>
			<dc:publisher>
				<ags:publisherName><![CDATA[Institute for Human Sciences and Cultural Studies]]></ags:publisherName>
			</dc:publisher>
			<dc:date><dcterms:dateIssued><![CDATA[2017]]></dcterms:dateIssued></dc:date>
				<dc:subject><![CDATA[Poetry pledged]]></dc:subject>
				<dc:subject><![CDATA[realism]]></dc:subject>
				<dc:subject><![CDATA[Repetition]]></dc:subject>
				<dc:subject><![CDATA[Abdol wahab AlBayati]]></dc:subject>
			<dc:description>
				<ags:descriptionNotes><![CDATA[Includes references]]></ags:descriptionNotes>
				<dcterms:abstract><![CDATA[Repetition as a figure of speech is of great importance in the contemporary Arab poetry substantially to review the ideas and intention of the original purpose of the poet's ode understood and accepted the following effects poet of literary movements revealed. The Bayati as one of the contemporary Arab poets on the one hand this figure of speech in a variety of means (repeat characters, Kama, including, cross-sectional image) is widely used in poetry and on the other hand from the Romantics and realism is also the effect has been enormous. The two schools, which is why it can be a good example to study this figure of speech in his poetry the influence of  Romanticism and Realism literary and poetic language to express him. Due to the abundance of this figure of speech in poetry Bayati review all of it does not fit the scope of this discussion. So just to repeat check verbs analytical method – descriptive and statistical methods discussed during this type of repeat how and the influence these two schools on the meaning of his poetry explains.]]></dcterms:abstract>
			</dc:description>
            <dc:identifier scheme="dcterms:URI"><![CDATA[https://afagh.ihcs.ac.ir/article_2951_9c49b2b044161f5a6252b5d42f876d0e.pdf]]></dc:identifier>
			<dc:identifier scheme="ags:DOI"><![CDATA[]]></dc:identifier>
			<dc:type><![CDATA[Journal Article]]></dc:type>
			<dc:format><dcterms:medium><![CDATA[text]]></dcterms:medium></dc:format>
			<dc:language><![CDATA[العربیة]]></dc:language>
			<dc:source><![CDATA[https://afagh.ihcs.ac.ir/]]></dc:source>
			<dc:source><![CDATA[آفاق الحضارة الاسلامية]]></dc:source>
		</ags:resource>
<ags:resource>
					<dc:title><![CDATA[Stylistics Comparison between Mecca and Medina suras in vocabulary diversity. (for example Taha and Noor suras)]]></dc:title>
					<dc:creator>
					<ags:creatorPersonal><![CDATA[Beheshtipour, Fatemeh]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[Nazari, Alireza]]></ags:creatorPersonal>

			</dc:creator>
			<dc:publisher>
				<ags:publisherName><![CDATA[Institute for Human Sciences and Cultural Studies]]></ags:publisherName>
			</dc:publisher>
			<dc:date><dcterms:dateIssued><![CDATA[2017]]></dcterms:dateIssued></dc:date>
				<dc:subject><![CDATA[: Statistical Stylistic]]></dc:subject>
				<dc:subject><![CDATA[Verbal wealth]]></dc:subject>
				<dc:subject><![CDATA[Johnson]]></dc:subject>
				<dc:subject><![CDATA[Mecca suras]]></dc:subject>
				<dc:subject><![CDATA[Medina suras]]></dc:subject>
			<dc:description>
				<ags:descriptionNotes><![CDATA[Includes references]]></ags:descriptionNotes>
				<dcterms:abstract><![CDATA[. The most important of these modern trends that shed light on the text and Quranic text to see the language is astylistic or stylistics which purpose is to identify how to use  the language in the  text. Stylistics has different methods including statistical stylistics that by using statistics in the service of language leads to precise stylistic results in every kinds of texts. One of these statistical stylistics approach is  Johnsonʼs  theory of lexical diversity  which is individually based on lexical statistics in each text to  identify it’s lexical wealth. this article campares  Mecca and Medina suras and these statistical stylistic studies according to Johnsonʼs theory firstly  to explain the efficiency of this stylistic method in Quranic studies with a  descriptive - analytic approach and secondly to show the potential  diversity in lexical wealth of Mecca and Medina suras. So this study discusses the stylistic features of the two suras Mecca and Medina in the first step of a broader search and analyzes the verbal wealth by measuring vocabulary and then compares the semantic field of these suras  based on lexical diversity results. Including results that there is no significant difference in lexical wealth of Mecca and Medina suras despite of these substantive differences.Medina suras semantic field concerns about community and sentences and semantic field in Mecca suras is about beleifs that can be proved with the help of lexical diversity statistics.]]></dcterms:abstract>
			</dc:description>
            <dc:identifier scheme="dcterms:URI"><![CDATA[https://afagh.ihcs.ac.ir/article_2952_f30556896efc1cee36db1d9aec35aa41.pdf]]></dc:identifier>
			<dc:identifier scheme="ags:DOI"><![CDATA[]]></dc:identifier>
			<dc:type><![CDATA[Journal Article]]></dc:type>
			<dc:format><dcterms:medium><![CDATA[text]]></dcterms:medium></dc:format>
			<dc:language><![CDATA[العربیة]]></dc:language>
			<dc:source><![CDATA[https://afagh.ihcs.ac.ir/]]></dc:source>
			<dc:source><![CDATA[آفاق الحضارة الاسلامية]]></dc:source>
		</ags:resource>
<ags:resource>
					<dc:title><![CDATA[The irony of mechanisms of dialogue and political contexts in the poetry of Samih Qasim]]></dc:title>
					<dc:creator>
					<ags:creatorPersonal><![CDATA[talebi, Jamal]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[babazadeh aqdam, askar]]></ags:creatorPersonal>

			</dc:creator>
			<dc:publisher>
				<ags:publisherName><![CDATA[Institute for Human Sciences and Cultural Studies]]></ags:publisherName>
			</dc:publisher>
			<dc:date><dcterms:dateIssued><![CDATA[2017]]></dcterms:dateIssued></dc:date>
				<dc:subject><![CDATA[Resistance literature]]></dc:subject>
				<dc:subject><![CDATA[poetry Palestinian Samih Qasim]]></dc:subject>
				<dc:subject><![CDATA[bitter irony]]></dc:subject>
			<dc:description>
				<ags:descriptionNotes><![CDATA[Includes references]]></ags:descriptionNotes>
				<dcterms:abstract><![CDATA[The theme of resistance is an important component of the new Arabic poetry.Samih Qasim is one of the most famous Arab poets whose name is tied to the poem of revolution and resistance of 1948.Qasim's poem is based on revolutionary realism, in which it calls for rebellion and protest. Most Odes Qasim has revolutionary themes and resistances. In his poetry, he used the mechanism of bitter comedy, and we see less poetry at this level. The present research is conducted with an analytical descriptive approach to study this approach in his poem. The most important finding of the research is that the issue of resistance, despite being welcomed by many poets, but what distinguishes Samiah Qasim from others is his unique style, which puts him at the forefront of others. On the other hand, he has signaled some words and announcements in the direction of the bitter comic discourse to attack the Israeli occupation regime best. He has done this in an excellent way and he has used the opposite of the image in shanfara ode. Qasim's speech in his political discourse, which has a bitter comic taste, is divided into three categories: Israeli occupation and its supportive governments, Arab rulers, and Palestinian "I". The poet has considered the menacing and critical responsibility of occupied Palestine to be the three groups.  ]]></dcterms:abstract>
			</dc:description>
            <dc:identifier scheme="dcterms:URI"><![CDATA[https://afagh.ihcs.ac.ir/article_2955_b31743a09666e6eba01682d919d9988c.pdf]]></dc:identifier>
			<dc:identifier scheme="ags:DOI"><![CDATA[]]></dc:identifier>
			<dc:type><![CDATA[Journal Article]]></dc:type>
			<dc:format><dcterms:medium><![CDATA[text]]></dcterms:medium></dc:format>
			<dc:language><![CDATA[العربیة]]></dc:language>
			<dc:source><![CDATA[https://afagh.ihcs.ac.ir/]]></dc:source>
			<dc:source><![CDATA[آفاق الحضارة الاسلامية]]></dc:source>
		</ags:resource>
<ags:resource>
					<dc:title><![CDATA[Verbal sentence function in Quran’s short stories]]></dc:title>
					<dc:creator>
					<ags:creatorPersonal><![CDATA[Marami, Jalal]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[Nasim Arabi, Nasim]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[Arabi, Mina]]></ags:creatorPersonal>

			</dc:creator>
			<dc:publisher>
				<ags:publisherName><![CDATA[Institute for Human Sciences and Cultural Studies]]></ags:publisherName>
			</dc:publisher>
			<dc:date><dcterms:dateIssued><![CDATA[2017]]></dcterms:dateIssued></dc:date>
				<dc:subject><![CDATA[The Holy Quran]]></dc:subject>
				<dc:subject><![CDATA[verb]]></dc:subject>
				<dc:subject><![CDATA[verbal sentence]]></dc:subject>
				<dc:subject><![CDATA[short stories]]></dc:subject>
				<dc:subject><![CDATA[Compression]]></dc:subject>
			<dc:description>
				<ags:descriptionNotes><![CDATA[Includes references]]></ags:descriptionNotes>
				<dcterms:abstract><![CDATA[The Holy Quran is a book in which various methods have been used as guidance. One of them is story telling so that stories with different subjects and content can be found in Quran, some of them are told in few pages and some others are short or very short and their length is one or two lines. Compression in text is one of the main characters of these short stories. In other word, although being short, such stories contain many deep meanings. In descriptive- analyzing research of some Quran short stories, which reflect this character so well, clarifies that verbal sentence has been effective in being compressed and has given fast rhythm to Quran short stories. This result has been found in comparison with existing verbal sentence in exampled Qurans short stories observed in noun sentences with the same meaning and then in the comparison of length of these sentences with each other.]]></dcterms:abstract>
			</dc:description>
            <dc:identifier scheme="dcterms:URI"><![CDATA[https://afagh.ihcs.ac.ir/article_2956_e47542956a295cedf7376f130ca52624.pdf]]></dc:identifier>
			<dc:identifier scheme="ags:DOI"><![CDATA[]]></dc:identifier>
			<dc:type><![CDATA[Journal Article]]></dc:type>
			<dc:format><dcterms:medium><![CDATA[text]]></dcterms:medium></dc:format>
			<dc:language><![CDATA[العربیة]]></dc:language>
			<dc:source><![CDATA[https://afagh.ihcs.ac.ir/]]></dc:source>
			<dc:source><![CDATA[آفاق الحضارة الاسلامية]]></dc:source>
		</ags:resource>
<ags:resource>
					<dc:title><![CDATA[Religious manifestations in the journey
 of Ibn Jubayr Andalusian]]></dc:title>
					<dc:creator>
					<ags:creatorPersonal><![CDATA[Masboogh, Seyyed Mehdi]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[Delshad, Shahram]]></ags:creatorPersonal>

			</dc:creator>
			<dc:publisher>
				<ags:publisherName><![CDATA[Institute for Human Sciences and Cultural Studies]]></ags:publisherName>
			</dc:publisher>
			<dc:date><dcterms:dateIssued><![CDATA[2017]]></dcterms:dateIssued></dc:date>
				<dc:subject><![CDATA[Religious manifestations]]></dc:subject>
				<dc:subject><![CDATA[Islamic Profiles]]></dc:subject>
				<dc:subject><![CDATA[The journey]]></dc:subject>
				<dc:subject><![CDATA[Ibn Jubayr]]></dc:subject>
			<dc:description>
				<ags:descriptionNotes><![CDATA[Includes references]]></ags:descriptionNotes>
				<dcterms:abstract><![CDATA[The journey is a literary material of self-literary genres which show the psychosocialities of  travelers and its religious tendencies Its social tendencies and its technical methods. and rarely find a traveler depicts his observations of these trends and tendencies, The speech in the journey was then associated with the self-characteristics of  its owner. Ibn Jubayr al-Kannani An Andalusian traveler The speech on his journey is characterized by religious and islamic preaching this is  because he was a religious figure and jurist his motivation for this journey is to travel to Makkah to perform Hajj this trip is considered one of the hijaz trips that were dominated by religious tendencies and Islamic flashes and depicted the Islamic manifestations such as beliefs, beliefs, religious figures and Islamic groups. This study is based on the descriptive descriptive approach aimed at investigating these demonstrations And found that these aspects have a wide presence on his journey which we see in the commitment to realism, the religious semitism of the subjects, and the description of the Islamic faith and the recruitment of religious figures, and the portrayal of islamic beliefs, and prejudice to islamic mallems.]]></dcterms:abstract>
			</dc:description>
            <dc:identifier scheme="dcterms:URI"><![CDATA[https://afagh.ihcs.ac.ir/article_2957_f6b70b93d00ca77e5b960696ddfcea3f.pdf]]></dc:identifier>
			<dc:identifier scheme="ags:DOI"><![CDATA[]]></dc:identifier>
			<dc:type><![CDATA[Journal Article]]></dc:type>
			<dc:format><dcterms:medium><![CDATA[text]]></dcterms:medium></dc:format>
			<dc:language><![CDATA[العربیة]]></dc:language>
			<dc:source><![CDATA[https://afagh.ihcs.ac.ir/]]></dc:source>
			<dc:source><![CDATA[آفاق الحضارة الاسلامية]]></dc:source>
		</ags:resource>
<ags:resource>
					<dc:title><![CDATA[Exonerating abutammam]]></dc:title>
					<dc:creator>
					<ags:creatorPersonal><![CDATA[Mohammadi, Majid]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[Abdulamiraljammali, Qusay Zaki]]></ags:creatorPersonal>

			</dc:creator>
			<dc:publisher>
				<ags:publisherName><![CDATA[Institute for Human Sciences and Cultural Studies]]></ags:publisherName>
			</dc:publisher>
			<dc:date><dcterms:dateIssued><![CDATA[2017]]></dcterms:dateIssued></dc:date>
				<dc:subject><![CDATA[AbuTammam]]></dc:subject>
				<dc:subject><![CDATA[accusing]]></dc:subject>
				<dc:subject><![CDATA[Belief]]></dc:subject>
				<dc:subject><![CDATA[tribe]]></dc:subject>
				<dc:subject><![CDATA[History]]></dc:subject>
				<dc:subject><![CDATA[poem]]></dc:subject>
			<dc:description>
				<ags:descriptionNotes><![CDATA[Includes references]]></ags:descriptionNotes>
				<dcterms:abstract><![CDATA[You may find nobody who has not accused in the present and past, and his fame has been lost by his enemies, the process of accusing dates back to Arabian societies. One of poets who have been accused is Abu TammamHabibIbnUusTaee who has been well known in Abbasid. This study tries to examine accusing to the poets, because he believed, he was not Arabian Muslim, instead he was Romian, Christian, and especially a theist. This study tries to present the old and new scientist’s views such as, Suli, TahaHossein, Marjalious … etc who believed AbuTammam was Romian, then, author has refered to the historical documents which date back to many years ago when it is close to the poet’s age, besides, his poems show the contrary point of view, at the end, we conclude that Abu Tammam is a Muslim, original, Arabian Shieh poet whose history and his poems show this fact too.]]></dcterms:abstract>
			</dc:description>
            <dc:identifier scheme="dcterms:URI"><![CDATA[https://afagh.ihcs.ac.ir/article_2958_53440c7f1c0c57989a93252b75bbae99.pdf]]></dc:identifier>
			<dc:identifier scheme="ags:DOI"><![CDATA[]]></dc:identifier>
			<dc:type><![CDATA[Journal Article]]></dc:type>
			<dc:format><dcterms:medium><![CDATA[text]]></dcterms:medium></dc:format>
			<dc:language><![CDATA[العربیة]]></dc:language>
			<dc:source><![CDATA[https://afagh.ihcs.ac.ir/]]></dc:source>
			<dc:source><![CDATA[آفاق الحضارة الاسلامية]]></dc:source>
		</ags:resource>

</ags:resources>