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<ags:resources xmlns:ags="http://purl.org/agmes/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:agls="http://www.naa.gov.au/recordkeeping/gov_online/agls/1.2" xmlns:dcterms="http://purl.org/dc/terms/">
<ags:resource>
					<dc:title><![CDATA[Lasting Effects in the Poetry of Abdurrahym Mahmoūd]]></dc:title>
					<dc:creator>
					<ags:creatorPersonal><![CDATA[Khezri, Ali]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[Ballawi, Rasool]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[Mohammadi, Fatemeh]]></ags:creatorPersonal>

			</dc:creator>
			<dc:publisher>
				<ags:publisherName><![CDATA[Institute for Human Sciences and Cultural Studies]]></ags:publisherName>
			</dc:publisher>
			<dc:date><dcterms:dateIssued><![CDATA[2016]]></dcterms:dateIssued></dc:date>
				<dc:subject><![CDATA[: sustainability literature]]></dc:subject>
				<dc:subject><![CDATA[Palestine]]></dc:subject>
				<dc:subject><![CDATA[Abdurraḥym maḥmūd]]></dc:subject>
				<dc:subject><![CDATA[an invitation to fight]]></dc:subject>
			<dc:description>
				<ags:descriptionNotes><![CDATA[Includes references]]></ags:descriptionNotes>
				<dcterms:abstract><![CDATA[The largest areas of resistance poetry of the Arabic literature. Many poets poetry revolves around the axis. Resistance poet tries to express his hope for freedom and spirit of defiance and resistance to induce people to enter the battlefields stir in the audience. Looking at the Palestinian resistance poetry, Abdurraḥym maḥmūd will find one of the practitioners who stood alongside the resistance against tyranny in their own land. He was an inspiration to the oppressed calm and soothe their anger by singing love songs. He saw to it that the conditions prevailing in his time was well able to portray the wants and sufferings of the people fighting. The purpose of this study was to evaluate the effects on stability in the poetry of Abdurraḥym maḥmūd is analytic. In this article, we will try the revolutionary spirit and poetry of the poet martyr effects will be more stability in our review. Results show that the poet knows the only way to achieve lasting freedom because the usurper Zionists do not know the meaning of loyalty cannot be done peacefully. Abdurraḥym maḥmūd to incite people to resistance, help glorious past, and trying to wake the conscience of the nation in this way. As well as women who may have an important role in the freedom of the country, for the partnership, calls on the battlefield.]]></dcterms:abstract>
			</dc:description>
            <dc:identifier scheme="dcterms:URI"><![CDATA[https://afagh.ihcs.ac.ir/article_2011_0f6d08f49e8bfec683f4c7afeac2441c.pdf]]></dc:identifier>
			<dc:identifier scheme="ags:DOI"><![CDATA[.]]></dc:identifier>
			<dc:type><![CDATA[Journal Article]]></dc:type>
			<dc:format><dcterms:medium><![CDATA[text]]></dcterms:medium></dc:format>
			<dc:language><![CDATA[العربیة]]></dc:language>
			<dc:source><![CDATA[https://afagh.ihcs.ac.ir/]]></dc:source>
			<dc:source><![CDATA[آفاق الحضارة الاسلامية]]></dc:source>
		</ags:resource>
<ags:resource>
					<dc:title><![CDATA[Past Legacy Use in the Novel of Najib Mahfouz 
Chatter on the Nil]]></dc:title>
					<dc:creator>
					<ags:creatorPersonal><![CDATA[Amouri, Naim]]></ags:creatorPersonal>

			</dc:creator>
			<dc:publisher>
				<ags:publisherName><![CDATA[Institute for Human Sciences and Cultural Studies]]></ags:publisherName>
			</dc:publisher>
			<dc:date><dcterms:dateIssued><![CDATA[2016]]></dcterms:dateIssued></dc:date>
				<dc:subject><![CDATA[Tharthara Fawq Al-Nil]]></dc:subject>
				<dc:subject><![CDATA[Chatter on the Nile]]></dc:subject>
				<dc:subject><![CDATA[Najib Mahfouz]]></dc:subject>
			<dc:description>
				<ags:descriptionNotes><![CDATA[Includes references]]></ags:descriptionNotes>
				<dcterms:abstract><![CDATA[  Contemporary poets and writers use from their past legacy and their work influenced by the relationship to the bad or good works of the past writers whom they revealed strength and weakness of the past societies. Najib Mahfouz used past legacy in his work by “ThartharaFawq Al-Nil (“Chatter on the Nile”) and animate and quicken his novel with this skill. He used Kinds of past legacies such as history, theology, literature and folkloric. He utilized these skills to show us that they figure out the great novel and according to the events of the novel they are used. This novel is one of philosophic and a sample of Najib Mahfouz and he used theology and history a lot in this great novel. The legacy of theology related to the philosophic method of the novel and legacy of the history related to the history specially the history of Egypt. The method which he used in this novel is descriptive-analytic one.]]></dcterms:abstract>
			</dc:description>
            <dc:identifier scheme="dcterms:URI"><![CDATA[https://afagh.ihcs.ac.ir/article_2012_3e8498ebb5a045dfdf96ffa1e5045a73.pdf]]></dc:identifier>
			<dc:identifier scheme="ags:DOI"><![CDATA[.]]></dc:identifier>
			<dc:type><![CDATA[Journal Article]]></dc:type>
			<dc:format><dcterms:medium><![CDATA[text]]></dcterms:medium></dc:format>
			<dc:language><![CDATA[العربیة]]></dc:language>
			<dc:source><![CDATA[https://afagh.ihcs.ac.ir/]]></dc:source>
			<dc:source><![CDATA[آفاق الحضارة الاسلامية]]></dc:source>
		</ags:resource>
<ags:resource>
					<dc:title><![CDATA[Scenes of the Resurrection in the 
Holy Quran Review the Phonetic
in the Chapters of Vagheah and Haghghah and Ensheghagh]]></dc:title>
					<dc:creator>
					<ags:creatorPersonal><![CDATA[Mottaghizade, Issa]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[Parvini, Khalil]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[Zhadat, Motahhare]]></ags:creatorPersonal>

			</dc:creator>
			<dc:publisher>
				<ags:publisherName><![CDATA[Institute for Human Sciences and Cultural Studies]]></ags:publisherName>
			</dc:publisher>
			<dc:date><dcterms:dateIssued><![CDATA[2016]]></dcterms:dateIssued></dc:date>
				<dc:subject><![CDATA[Quran]]></dc:subject>
				<dc:subject><![CDATA[resurrection scene]]></dc:subject>
				<dc:subject><![CDATA[phonetic]]></dc:subject>
			<dc:description>
				<ags:descriptionNotes><![CDATA[Includes references]]></ags:descriptionNotes>
				<dcterms:abstract><![CDATA[Believe in Armageddon is one of the tree principal rules of Islam, that all Muslims in different branches believe in it. The holy Quran in many parts, talks in believing in god, besides believing in Armageddon. And try to show sights of Armageddon in about 80 chapters. Sound reviewing plays an important role in stylistic analyses, and is the first point in literature reviews. As the sound is the smallest unit of the text, It helps us to show the beauty of the text brings. Quran is a unique indicator in considering musical art. This art is obvious in Surah Maki, which are about believing in monotheism and Armageddon. This paper is chosen tree surah, which are most reflecting sights of Armageddon, they are based on the phonetic and descriptive analytic method to examine. There are some results: musical sound of the words is in harmony with the meaning, and this shows the musical art of the Quran.]]></dcterms:abstract>
			</dc:description>
            <dc:identifier scheme="dcterms:URI"><![CDATA[https://afagh.ihcs.ac.ir/article_2013_c0f8a8e0c5fc3009b47994159a936ab9.pdf]]></dc:identifier>
			<dc:identifier scheme="ags:DOI"><![CDATA[.]]></dc:identifier>
			<dc:type><![CDATA[Journal Article]]></dc:type>
			<dc:format><dcterms:medium><![CDATA[text]]></dcterms:medium></dc:format>
			<dc:language><![CDATA[العربیة]]></dc:language>
			<dc:source><![CDATA[https://afagh.ihcs.ac.ir/]]></dc:source>
			<dc:source><![CDATA[آفاق الحضارة الاسلامية]]></dc:source>
		</ags:resource>
<ags:resource>
					<dc:title><![CDATA[A Research on Stylistics of the Surah Ash-Shams]]></dc:title>
					<dc:creator>
					<ags:creatorPersonal><![CDATA[Matouri, Ali]]></ags:creatorPersonal>

			</dc:creator>
			<dc:publisher>
				<ags:publisherName><![CDATA[Institute for Human Sciences and Cultural Studies]]></ags:publisherName>
			</dc:publisher>
			<dc:date><dcterms:dateIssued><![CDATA[2016]]></dcterms:dateIssued></dc:date>
				<dc:subject><![CDATA[: surah Al Shams]]></dc:subject>
				<dc:subject><![CDATA[Stylistics]]></dc:subject>
				<dc:subject><![CDATA[sound]]></dc:subject>
				<dc:subject><![CDATA[combination]]></dc:subject>
				<dc:subject><![CDATA[Meaning]]></dc:subject>
			<dc:description>
				<ags:descriptionNotes><![CDATA[Includes references]]></ags:descriptionNotes>
				<dcterms:abstract><![CDATA[The holy surah “al- Shams” with its effective musical sound is striking in ear and heart and includes various meanings in its few words. Shortness of distances and abundance of swears and various contradictions is evident in it which led me to study it in three levels of stylistics: phonetic level, combination level and semantic level.The aim of this study is to explore the beauties of its stylistics and the findings of this discussion are that in the phonetic level, high explosive soundis more than low voice and whisper, and in combination level, abundance of swear and repetition of it and different contradictions and also the beginning of the surah with a nominal sentence, made a special combination level. In semantic level, there is rhetorical allusion especially in record of Thamud and cutting of the legs of the she-camel. This Quranic allusion makes us needless of telling long stories. This study is conducted with the aim of studying the stylistics of the surah al shams in three levels by descriptive-analytical approach.]]></dcterms:abstract>
			</dc:description>
            <dc:identifier scheme="dcterms:URI"><![CDATA[https://afagh.ihcs.ac.ir/article_2014_2b9746c5a1fb9935c3314a0b5be79585.pdf]]></dc:identifier>
			<dc:identifier scheme="ags:DOI"><![CDATA[.]]></dc:identifier>
			<dc:type><![CDATA[Journal Article]]></dc:type>
			<dc:format><dcterms:medium><![CDATA[text]]></dcterms:medium></dc:format>
			<dc:language><![CDATA[العربیة]]></dc:language>
			<dc:source><![CDATA[https://afagh.ihcs.ac.ir/]]></dc:source>
			<dc:source><![CDATA[آفاق الحضارة الاسلامية]]></dc:source>
		</ags:resource>
<ags:resource>
					<dc:title><![CDATA[Semantic Change in the Quranic Words]]></dc:title>
					<dc:creator>
					<ags:creatorPersonal><![CDATA[Mirhaji, Hamidreza]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[Ghanbari, Samira]]></ags:creatorPersonal>

			</dc:creator>
			<dc:publisher>
				<ags:publisherName><![CDATA[Institute for Human Sciences and Cultural Studies]]></ags:publisherName>
			</dc:publisher>
			<dc:date><dcterms:dateIssued><![CDATA[2016]]></dcterms:dateIssued></dc:date>
				<dc:subject><![CDATA[word]]></dc:subject>
				<dc:subject><![CDATA[Semantic]]></dc:subject>
				<dc:subject><![CDATA[semantic change]]></dc:subject>
				<dc:subject><![CDATA[jahili poem]]></dc:subject>
				<dc:subject><![CDATA[Holy Quran]]></dc:subject>
			<dc:description>
				<ags:descriptionNotes><![CDATA[Includes references]]></ags:descriptionNotes>
				<dcterms:abstract><![CDATA[This research titeled (Semantic change in the Quranic words: praise prophet reverence) This study is about how to transform from the meaning to another. In this article we looked lexical and semantic meaning of three words of Quran in pre-islamic era Until the end of sending Quran. We studied the influence of Islam in changing word semantically. Islam does not bring new words but added them new meaning and coverd them new dresses of the and semantic meaning. Islam used them in new meanings in a accordance with Quranic consepts. Restriction and extention are most important forums of semantic transformation. In this article semantic change of three words: praise, prophet, reverence are considered. Semantic change sometimes occurs in the restriction such as reverence and sometimes goes to the extention and improvement such as .prophet.    ]]></dcterms:abstract>
			</dc:description>
            <dc:identifier scheme="dcterms:URI"><![CDATA[https://afagh.ihcs.ac.ir/article_2015_99c58b00814a96da34ed992fcac5f2c3.pdf]]></dc:identifier>
			<dc:identifier scheme="ags:DOI"><![CDATA[.]]></dc:identifier>
			<dc:type><![CDATA[Journal Article]]></dc:type>
			<dc:format><dcterms:medium><![CDATA[text]]></dcterms:medium></dc:format>
			<dc:language><![CDATA[العربیة]]></dc:language>
			<dc:source><![CDATA[https://afagh.ihcs.ac.ir/]]></dc:source>
			<dc:source><![CDATA[آفاق الحضارة الاسلامية]]></dc:source>
		</ags:resource>
<ags:resource>
					<dc:title><![CDATA[A Comparative Analysis of the Elements of Resistance in Sa’di Yousef and Salman Harati Poems]]></dc:title>
					<dc:creator>
					<ags:creatorPersonal><![CDATA[Nemati Ghazvini, Ma&rsquo;soumeh]]></ags:creatorPersonal>
<ags:creatorPersonal><![CDATA[HakimZadeh, Zahra]]></ags:creatorPersonal>

			</dc:creator>
			<dc:publisher>
				<ags:publisherName><![CDATA[Institute for Human Sciences and Cultural Studies]]></ags:publisherName>
			</dc:publisher>
			<dc:date><dcterms:dateIssued><![CDATA[2016]]></dcterms:dateIssued></dc:date>
				<dc:subject><![CDATA[Resistance literature]]></dc:subject>
				<dc:subject><![CDATA[Persian Contemporary Poetry]]></dc:subject>
				<dc:subject><![CDATA[Arabian Contemporary Poetry]]></dc:subject>
				<dc:subject><![CDATA[Sa’diYousef]]></dc:subject>
				<dc:subject><![CDATA[Salman Harati]]></dc:subject>
			<dc:description>
				<ags:descriptionNotes><![CDATA[Includes references]]></ags:descriptionNotes>
				<dcterms:abstract><![CDATA[Both Iran and Iraq during their countries’ histories have seen numerous political events. The most important event that can be seen in contemporary histories of both countries is war. The involvement of both nations with ominous phenomena of war has caused the formation of somewhat similar approaches in the cultures of these two countries. One of these similar approaches is the formation of resistance culture which can be seen in the literature of both nations. The comparative study of two poets from Iran and Iraq i.e. Salman Harati (1338-1365 SH) and Sa’di Yousef (born 1934-AC) which is done through descriptive-analytic method shows the presence of common themes like patriotism, call to fight, media criticism, Palestine, cosmopolitanism, and promoting the culture of martyrdom in these two poets’ poems. The results of this research also indicate some minor differences in themes and styles of these two poets]]></dcterms:abstract>
			</dc:description>
            <dc:identifier scheme="dcterms:URI"><![CDATA[https://afagh.ihcs.ac.ir/article_2016_b9974fcc5fbcf361a06401aca247705d.pdf]]></dc:identifier>
			<dc:identifier scheme="ags:DOI"><![CDATA[.]]></dc:identifier>
			<dc:type><![CDATA[Journal Article]]></dc:type>
			<dc:format><dcterms:medium><![CDATA[text]]></dcterms:medium></dc:format>
			<dc:language><![CDATA[العربیة]]></dc:language>
			<dc:source><![CDATA[https://afagh.ihcs.ac.ir/]]></dc:source>
			<dc:source><![CDATA[آفاق الحضارة الاسلامية]]></dc:source>
		</ags:resource>

</ags:resources>