The text is the main topic in the analysis and linguistic description. The textual cohesion is one of the most famous characteristics of the text, since the text does not do anything but it. Textual linguists have unanimously described the textual coherence mainly in the construction and formulation of the text. Textual interconnection aims to demonstrate the consistency and consistency of the text by employing its most important tools, the most famous of which are referral, deletion, duplication, connection, etc. This research takes a descriptive-analytical method as a way to address the elements of consistency in jihad sermon and aims to dust off the literary heritage And highlighting the citizen and the textual sites in the sermon of jihad, which is one of the most important speeches in the history of our religious and literary heritage, because of its sobriety, strength and firmness. Among the results reached by the research, we mention that the elements of consistency in the sermon of jihad have contributed greatly to the connection between the parts of speech, which led to the appearance of the sermon at the top of its beauty and verbal and intellectual creativity and Tools were used to fill gaps and gaps between the sermons. As a result of these elements, the idea has been harmonious its cohesion was not contested by dispersal or fragmentation. Had it not been for this connection, this sermon would not have been as high as it occupies today.

Since nowadays identity designing is defined apropos of a nation's visual interests and principles, Iranian designers have constantly attempted to create novel clothing ideas by presenting various works at Fajr International Fashion and Clothing Festival based on Islamic-Iranian art. These ideas are alleged to promote the culture of clothing in order to rescue, revive, and reinforce their national identity recognized as visual ambassadors at the international level. Accordingly, the present study aims to answer the question of 'how is the visual Islamic-Iranian identity applied in the designers' works presented at Fajr International Fashion and Clothing Festival?' Regarding data analysis, identity components were classified into four approaches. Final results indicated that only coverage component in the religious approach existed in all studied works. However, it was not in harmony with other visual components of the presented clothes and therefore, it was not visually matched with Iranian identity.

Muhammad Ali Jamalzadeh has a distinguished position in contemporary Iranian literature, and his initiative to bring traditional Persian literature into the modern age via the short story genre was instrumental in the revival of Persian literature, placing him at the top of the list of great contemporary Persian writers.He was the first to introduce Iranians to the European style of short story writing. Iranian writers merged Persian and Western techniques, they created contemporary short stories which had more relevance for contemporary readers than traditional folk literature because they.The "Yeki bud Yeki Nebud" (Once Upon a Time) collection, by Muhammad Ali Jamal Zadeh, is the first fictional collection in Iran, in which the basic elements of the short story are realized as a modern literary genre with its traditional contents based on what was present in ancient tales.This research seeks to study these elements from the perspective of new historical criticism or cultural analysis of the text, using the descriptive-analytical method, trying to reach artistic aesthetics instructor to express modern social and then literary changes in Iranian society in the early years of the last century.

The calling of tradition is one of the most obvious phenomena of contemporary literature, and historical characters of real existence also form one of its branches, often found in the texts of order. Among the poets who turned to historical personalities and called those into their poems can be named najāh ibrāhīm's replacement. In her poems, najāh ibrāhīm revives the historical personality and observes the personalities of most nations in a way. In this descriptive-analytic study, we seek to study the historical characters that najāh ibrāhīm adhered to, and to make their implications with them, and to express their secret passwords; We were able to study these characters in three axes, and these are as follows: The characters representing the luminous face, The characters representing the dark face, and Also common characters. In order to reveal the traditional characters and unlock their passwords, we have also invoked techniques in poetry. The results show that the most prominent characters that the poet used in her poems are The characters representing the dark face, and that the most frequent calling technique used by the poet in the use of historical characters is the noun technique. The poet relied on historical personalities to unveil the magnanimity and self-esteem that had given him a way, and to speak of himself, her home, and all that was going on.

The novel of "Aqalim al-Khawf" (Territories of Fear) are placed in quasi-police narratives in which the author is represented using the personality of the heroine in the negative American environment in the Eastern Islamic provinces. This novel is characterized by a style that does not provide the reader with an understanding of the personal reality of the heroine in the sequence of events except by surprise at the end of the novel by confessing it in a secret project programmed by American organizations to steal the smart genes of Arab brains. Through the analytical-descriptive approach, this article aims to shed light on the most important reasons that awaken feelings of fear by its negative representations of the Eastern human in conservative societies. The importance of the research was represented in the narrative descriptions of the forbidden trinity (gender, politics and religion), in which Algerian women writers rarely fought, and it is an explicit values ​​because of their deviation from social and literary norms. The outcome of the article's findings indicates that the narrative through presenting the prohibited contents wants to depict the corruption prevalent in the atmosphere of the hidden eastern world behind moral values. Furthermore it reflects the reality of American policy and its fears, which pretend to make efforts to develop the eastern countries, and that they are in fact stacking poison in honey, and really they are planning to occupy, and seize the country's goods and plunder its wealth.

Abd al-Qahir al-Jurjani , who is known as the founder of semantics in the fifth century AH (1009-1078 AD), has important works such as Dalāʾil al-Iʿjāz, including the topics of semantics and the Asrār al-balāghah, including discussions about synecdoche, simile, allegory and metaphor; And it has played an important role in the development of Islamic rhetorical sciences. He formulated the views of the rhetoricians before him, taking into account the context and mental states of the speaker and the audience, in the form of syntactic construction, and presented a new perspective, which he referred to as "the meanings of the grammar." It refers to new meanings that are obtained by repositioning sentence elements, relating sentences to each other, introducing some elements or not, and emphasizing some words. Al-Jurjani  has looked at the language and rhetoric from most possible perspective, but Western linguists and philosophers such as Richards, Ferdinand de Saussure, M. A. K. Halliday, Leonard Bloomfield, Noam Chomsky , George Lakoff, Benjamin Lee Whorf are more limited in their language perspective.  In this article, we have compared and analyzed the views of cognitive linguists with the linguistic perspectives of Abdul Qahir. Abdul Qahir and Cognitive linguists have considered language to be one of the cognitive forces of human beings that has an empirical origin with a psychological and social role. And grammar follows meaning and concept, and the meaning of language is influenced by the individual's point of view, position, and knowledge, and its objective application.

childhood represents a very crucial and at the same time sensitive element a writer or a poet employs in accordance with his or her humanistic vision and creative projections. Accordingly, childhood image (innocence and purity) covered most of the poems of the Palestinian revolutionary poet Sulafa Al-Hijjawi in her collection of poems A Dream of Children Poetry and in other poetic works in which this conscientious aspect is reflected. As a result, her poetic texts for children, whether the encrypted or the unencrypted texts, are replete with sublime humanistic values, ethics principles, knowledge, and creativity. Childhood and its images come in shape of Zionist and are divided into starvation and privation, pain and hope, love and hatred, freedom and imprisonment, construction and demolition, school and detainee, stressing humanistic values alienations amid a horrible human silence. Despite these tragedies through which Zionist, the occupier, blew up and slaughtered Palestinian children and their dreams, her poetry has always been propagating messages of benevolence, peace, and coexistence. This study, through a descriptive-analytic approach, attempts to indicate the effect of applying childhood images inspired by nature and its elements and the poet real life in producing new poetic image at the heart of distress and also shade more light on the right of Palestinian children and their salvation of the hell of tragedies from which they suffer in their violated land.

The Sociological research examines many issues in literary work when literary work is a collection of stories by a writer; the social relation is the guarantor of the study in social criticism. In this research, the Qatari writer Amina Al Emadi has examined on a sacred element in human life, which is the element of the family and paid attention to the social treatment and psychology of that element. She combined her study with semiotics for the titles that chose for her eight stories in her collection of stories named “Before Sunset" and deliberately uses such designations to Statement of persuasion fiction in this collection of stories. This research aims to social criticism in thesestories .From the results of the research; one can refer to the author's mixing between the semiotics of titles and their content,treatment of women's issues, persecuted wife and mannish woman as it also showed us the dire reality of inequality in family life, and we notice that it refer to loyalty, poverty, suicide, indifference and other social issues, with a moderate social vision.The research method is descriptive-analysis.

Alsharawi's explanation  of the sheikh Mohammed Motawli Alsharawi is one of the explanations that could be considered as a connecting point between a traditional and modern perspectives of explanation. The modern way of explanation  is used by almost all the new analysts. Alsharawi tries to facilitate  the meaning  of  Quranic Ayat And Sowar in a a way that makes the listener enjoyed and attracted to the talking. Using literary is the main point in Alsharawi's explanation. He bases his talking on portraying syntactic and rhetorical approaches in a distinctive way compared to other analysts. And that's why he used a lot of colloquial  adages  in his explanation which are not used by others. From this point of view, this descriptive analytical study tries to study the place of colloquial adages and their use in Alsharawi's explanation. We concluded that Alsharawi used adages  in three levels: a- decoding imagery. b- sying the causes. c-converting abstract concepts to concrete ones. All these reveals contractions and succinctness.

The verse of Qawamiyat is one of the key verses of the Qur'an about the "position of women" in the family and society. The anthropological foundations of the commentators are very effective in interpreting this verse and the rules of jurisprudence, law and social, economic and political laws. The views on the concept and scope of "Qavamite" and "grace" in the verse are different. The obvious view of the example of grace is the issue of "intellect". This study examines the foundations of contemporary commentators on the difference between the intellect of men and women, using a descriptive-analytical method based on anthropological principles, and after evaluating the findings, concludes that not only is there no defect in the innate intellect of women; Rather, it is the same in terms of human essence as man. The difference is in the type of intellect and reason in the executive arena. Natural and environmental barriers have been effective in the intensity or weakness of this power; As a result, masculine nature has surpassed feminine nature in the issue of reasoning.

In the 1980, a new knowledge emerging that sought to foster social and historical-cultural research, emphasized a new approach to entering scientific fields to eliminate the currently-existing virtual barriers, on which the post-colonial termed (or after Colonialism) after time. Undoubtedly, East and West are the origins of researches regarding post-colonial discourse, so the contrast between East and West, although not geographically, is a civilization.The novel Sabak Al-Masafat Al-Tawilah (Endless Marathon) is the sixth novel of the novels of Abdul Rahman Manif, which scans human and Arabic society’s issues and post-colonialist works, where the author addresses the West's domination of the eastern countries and the search for oil resources, and he also shows the contrast between two West and East’s outlooks. This research, in addition to the descriptive-analytical method and through post-colonial studying of the novel, tries to illustrate the ideology of the colonial symbol to the East and his vision of describing them and also not to giving voice to the East. One of the results of the study is the continuation of the dirty view of the "other”, of the East, and the serious Western "I" effort to plunder the wealth of the East and to put its influence on them, apart from positive cooperation and natural culturizing based on respect for humanity.

Some intellectual and jurisprudential currents in the Islamic world - especially Salafism – believe in the principle of hatred between religions. According to their point of view, the foundation upon which Islamic law is based when dealing with other religions is through the expression of one’s hatred, which is manifested in being rugged, severe and accompanied by a negation of loyalty. This research has attempted to study this issue from a Qur’anic angle and has concluded that the notion of hatred does not exist in the Qur’anic text except towards those who are considered aggressors against the Muslim nations and humans in general, not everyone who simply has a difference in opinion, belief, religion and doctrine. On the contrary, the Qur’anic text focuses on the principle of distinction in order to preserve one’s identity, not the principle of hate.